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Valkyrie

Joined: 17 Jul 2006 Posts: 11 Location: England
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Posted: Tue Jul 25, 2006 6:23 am Post subject: Musical Instruments |
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Okay, I haven't found another thread about this, and seeing how this board is about music in all forms, I'm gonna post this here anyway.
Do any of you play a musical instrument, or wish you did? If so, who are your influences?
I play the guitar - my main influence is Alexi Laiho from the awesome band Children of Bodom. My influences are mostly metal - recently I've been quite into Jeff Loomis' guitar wizardry, that guy can shred likeWOAH!!
My favourite scale is the Phrygian dominant, cause it just sounds so cool - Locrian is alright as well, but not as awesome sounding as Phrygian dominant. I mean, why settle for the Phrygian, when you can have the DOMINIANT version!! And it's also the fifth mode of the harmonic minor, which is also a pretty ace scale. For all you musicians on here - what's your favourite scale? _________________ Ollan hiljaa, saadaan kaloja. |
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Setu_Firestorm Music Composer

Joined: 26 Mar 2003 Posts: 2566 Location: Holiday. FL
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Posted: Tue Jul 25, 2006 6:56 am Post subject: |
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I find it strange that mostly guitarists are familiar with the modal scales considering that in my years of piano training, we never really dug that deep into the application of most of them, although I've noticed an overusage of the Dorian scale in a lot of Drop-D alternative rock (yes, I classify that type of alternative as "Drop-D" because I wish they would actually do something OUTSIDE of that key for once).
I began taking piano lessons at age 4 and have been playing for 20 years since. My lessons spanned across 13 years before I quit once I realized that my heart was more set on composing than playing someone else's music. I have been composing for the past 10 years, learning from all sorts of composers/bands by listening to their techniques.
Some of my influences include John Williams, James Newton Howard, Hans Zimmer, Noriyuki Iwadare (composer of Lunar, Grandia, and others), and others.
I have no particularly favorite scale, since each piece composed usually has a key that suits it better than any other. _________________
Facebook: http://www.facebook.com/georgerpowell
Newgrounds: http://setu-firestorm.newgrounds.com |
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mamoru Jack the Pumpkin King

Joined: 17 Jul 2003 Posts: 17 Location: In a white room... with black curtains.
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Posted: Tue Jul 25, 2006 12:52 pm Post subject: |
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i'm a guitarrist too. my personal favorite is the gypsy major scale. it's a major scale technically but it sounds like a boss version of harmonic minor. say u are in A... the scale would be A, Bb, C#, D, E, F, G#, A. try it out sometime. it works really well for the piano cause it's just a variation of a regular tonal scale. ^_^ _________________ "My dearest friend if you don't mind, I'd like to join you by your side, where we can gaze into the stars, and sit together now and forever" |
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Valkyrie

Joined: 17 Jul 2006 Posts: 11 Location: England
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Posted: Tue Jul 25, 2006 1:44 pm Post subject: |
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Dude, that's just the Phrygian Dominant... the tone and a half "gap" is like, exclusive to the harmonic minor... It's a pretty gnarly scale, but working out the chords for the first time did my brain in!!
And Setu, it's nice to see that someone else takes music seriously. I hate all these guitarists who don't know note from note and just curse the music by being so lame... I love the piano, I play some myself, but nowhere near as well as I guess you can, although I wish I could. But the guitar is more my instrument, although the piano is extremely awesome.
Drop-D... Gahh, I try not to use that if I can help it. It's overused and everything. It's like they only know one key, and it's all so damn boring... Lots of people do great things in drop-d, but normal tuning is good enough for me!!
I don't know why guitarists cherish their precious modes... I guess it's because the guitar scales fit in "boxes" on the fret board, and with the piano, all the notes are layed out in front of you - you don't have to be "taught" how to use them, you just pick them up, cause the notes are more easily accessable. But I really don't know - maybe it depends on the teacher. _________________ Ollan hiljaa, saadaan kaloja. |
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Moogle1 Scourge of the Seas Halloween 2006 Creativity Winner


Joined: 15 Jul 2004 Posts: 3377 Location: Seattle, WA
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Posted: Tue Jul 25, 2006 5:26 pm Post subject: |
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mamoru wrote: | i'm a guitarrist too. my personal favorite is the gypsy major scale. it's a major scale technically but it sounds like a boss version of harmonic minor. say u are in A... the scale would be A, Bb, C#, D, E, F, G#, A. try it out sometime. it works really well for the piano cause it's just a variation of a regular tonal scale. ^_^ |
Why in the world would you include a flat and two sharps in the same scale? If you ask me, flats and sharps don't even belong in the same song. The same scale is just ridiculous. _________________
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Artimus Bena Admiral

Joined: 17 Aug 2004 Posts: 637 Location: Dreamland.
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Posted: Wed Jul 26, 2006 1:21 am Post subject: |
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Ok let's just get this out of the way. We're almost all of us guitarists and pianists.
And we snap on-beat with particularly suave-sounding music.
Influences: everything. I let random things, inluding visuals, emotions or objects, inspire musically. But if you're talking strictly musical, I also love the John Williams. Pink Floyd's strange song structures (and wonderful ability to keep a sort of suspense working on you - in some parts) also intrigue and inspire, especially to be different and such, which I think should be done a lot more in this day and age.... But shit... absolutely anything and everything music-wise, has the same influence. I have a few favorites, yeah, but I listen to so many genres...
Scales? (yes I know what scales are, I'm just leading into the rest of the reply)
I tend not to study theory too heavily. I have the scales on my wall, I utilize them when I think it will help. Which is almost never. I donno, maybe I'm lazy, or, hah, trust my creativity to express what I wanted to express! _________________ SACRE BLEU!
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jabbercat Composer

Joined: 04 Sep 2003 Posts: 823 Location: Oxford
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Posted: Wed Jul 26, 2006 2:01 am Post subject: |
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Well, since the last thread in on this topic, I've studied music alot deeper and made it my profession, and learnt alot of new instruments, at the moment I'm counting over 16, I'll make a short list of the more major ones:
Guitar
Piano
Organ (they are different instruments thankyou)
Viola
Violin
Cello
Double Bass
Bass Guitar
Flute
Oboe
Tuba
Tumpet
Harp
The violin family are quite similar in playing theory, although the difference between each instrument in the family is very distinct. Probably the biggest difference between two of the instruments in that family is the Double Bass and the Cello.
And various others.
My biggest influences are Bach (J.S, Naturally) and L.V.Beethoven, probably the two most important men in music. Fun.
Favourite scale? I can't say I really have one, but C# Major is pretty fun, it's awesome to see the looks on people's faces when you present them a score with it. _________________ Moogle no longer owes prizes. |
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LongeBane

Joined: 03 Feb 2003 Posts: 312 Location: Tomorrow
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Posted: Wed Jul 26, 2006 2:03 am Post subject: |
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Artimus Bena wrote: | Ok let's just get this out of the way. We're almost all of us guitarists and pianists.
And we snap on-beat with particularly suave-sounding music.
Influences: everything. I let random things, inluding visuals, emotions or objects, inspire musically. But if you're talking strictly musical, I also love the John Williams. Pink Floyd's strange song structures (and wonderful ability to keep a sort of suspense working on you - in some parts) also intrigue and inspire, especially to be different and such, which I think should be done a lot more in this day and age.... But shit... absolutely anything and everything music-wise, has the same influence. I have a few favorites, yeah, but I listen to so many genres...
Scales? (yes I know what scales are, I'm just leading into the rest of the reply)
I tend not to study theory too heavily. I have the scales on my wall, I utilize them when I think it will help. Which is almost never. I donno, maybe I'm lazy, or, hah, trust my creativity to express what I wanted to express! |
Usually it's better to be "creative" after knowing the theory. You have to know rules to break them. It's not like some dude in the past came up with a bunch of theory just for fun. It's a foundation of studies and helps the artist realize what sounds right and what does not. Completely trusting your own instincts while ignoring the thousands of years of theory probably won't bring about the best results. |
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Valkyrie

Joined: 17 Jul 2006 Posts: 11 Location: England
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Posted: Wed Jul 26, 2006 2:28 am Post subject: |
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Moogle1 wrote: |
Why in the world would you include a flat and two sharps in the same scale? If you ask me, flats and sharps don't even belong in the same song. The same scale is just ridiculous. |
What Mamoru described doesn't exist - there are only two types of "gypsy" scale, the Spanish and the Hungarian. The Hungarian is just a natural minor scale where the fourth and seventh are sharpened; or a major scale in where the third and sixth are flattened and the fourth is sharpened.
The Spanish gypsy is basically just Phrygian Dominant, as is what Mamoru described. As Moogle said, "why in the world would you include those notes in the same scale"? It sounds much more exotic, and has been known as the "Jewish" scale as well as the Spanish Gypsy, because it does sound very exotic.
The notes of the Phrygian dominant in "A" are actually:
A Bb C# D E F G A'
The augmented "G" that Mamoru stated is actually from the D harmonic Minor, and so this mode of the harmonic minor wouldn't be the Phrygian dominant - it would actually be the A Double Harmonic Major, another mode of the harmonic minor scale.
But of course, it's useless knowing these scales unless you know where to apply them - like with the modes of the major scale, and they all have their unique flavour. Before bombing ahead and saying, like "Oh, I know all the modes, I'm amazing", you DON'T know the modes unless you know how to use them PROPERLY. Take some time to learn how to utilise each of their unique flavours, it'll be worth it, and also improve your theory knowledge LOADS. I could play a normal major scale, and I'd be playing all the modes. Take the time to do it properly, it's worth it.
That's a good way to work, Artimus - No matter how great you get at guitar, or any other instrument, never forget your soul. Players like Michael Angelo Batio have that problem - they can shred like twenty notes a second, but they have no soul!! Music is MEANT to be soulful - just think of your instrument as an extension of your soul, and your on your way to being a true musician.
And LongeBane, that's exactly what I'm talking about - you gotta know the rules to be able to break them. You can't "invent" your own scale - any combination of notes you ever decide to use, it WILL be part of a scale, and that scale WILL have a name, somewhere. _________________ Ollan hiljaa, saadaan kaloja. |
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jabbercat Composer

Joined: 04 Sep 2003 Posts: 823 Location: Oxford
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Posted: Wed Jul 26, 2006 1:10 pm Post subject: |
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I hate guitarists. I hate how they approach modes. Learn the Church Modes. Once you've learnt that, learn Chromatism. It's pointless leaning thousands of scale formulas. _________________ Moogle no longer owes prizes. |
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Artimus Bena Admiral

Joined: 17 Aug 2004 Posts: 637 Location: Dreamland.
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Posted: Wed Jul 26, 2006 3:10 pm Post subject: |
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What "sounds right" is a socially accepted system and standard. And the "best results" you're describing are the ones that others want to hear, on that same accepted standard. There are basically two kinds of music: music you want to hear, and music other people want to hear. Music for me is my personal expression, not always what others want to hear, unless we're talking game\film music, which usually has responsibilities other than being an expression.
This is why I've been lax on studying theory. It eventually tells your brain that there are boundries to music. That there are things you just can't do. I don't personally believe in that. _________________ SACRE BLEU!
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jabbercat Composer

Joined: 04 Sep 2003 Posts: 823 Location: Oxford
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Posted: Wed Jul 26, 2006 3:18 pm Post subject: |
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Thats 100% incorrect. Music Theory is just a volcabulary. It's like trying to describe a colour to someone, except not know how to say it's a mix of green and blue. It doesn't tell you what to do, it just tells you what what you're doing is called. Theory doesn't limit anything, your own creativity limits you. _________________ Moogle no longer owes prizes. |
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Moogle1 Scourge of the Seas Halloween 2006 Creativity Winner


Joined: 15 Jul 2004 Posts: 3377 Location: Seattle, WA
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Posted: Wed Jul 26, 2006 3:35 pm Post subject: |
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jabbercat wrote: | Thats 100% incorrect. Music Theory is just a volcabulary. It's like trying to describe a colour to someone, except not know how to say it's a mix of green and blue. It doesn't tell you what to do, it just tells you what what you're doing is called. Theory doesn't limit anything, your own creativity limits you. |
Agree 100%
Bena, if you haven't studied theory, then you don't really know what it is you're not studying. _________________
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Artimus Bena Admiral

Joined: 17 Aug 2004 Posts: 637 Location: Dreamland.
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Posted: Wed Jul 26, 2006 3:44 pm Post subject: |
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I've studied enough. I'm not a total idiot.
[edit] I should clear up that I wasn't speaking at all against theory as a vocabulary. My last post was a response to longe's argument concerning what will "sound right". So basically: I agree with you jabs and moogs. So there shouldn't be any further misunderstanding on that part. _________________ SACRE BLEU!
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LongeBane

Joined: 03 Feb 2003 Posts: 312 Location: Tomorrow
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Posted: Wed Jul 26, 2006 4:07 pm Post subject: |
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I perhaps have worded my thoughts incorrectly. In no means do I think music theory creates boundaries of any sorts, such as limiting one to a scale. But I believe that you should know the scale first, before you try to work outside of it. |
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